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All Albrecht Altdorfer Oil Paintings


 
 
Albrecht Altdorfer Details of The Battle of Issus oil painting reproduction


Details of The Battle of Issus
nn05 Women on the battlefield
new4/Albrecht Altdorfer-982673.jpgPainting ID::  30232
 

 

 
   
      

All Albrecht Altdorfer Oil Paintings


 
 
Albrecht Altdorfer Details of The Battle of Issus oil painting reproduction


Details of The Battle of Issus
nn05 Painting in the age of discovery
new4/Albrecht Altdorfer-822222.jpgPainting ID::  30233
 

 

 
   
      

All Albrecht Altdorfer Oil Paintings


 
 
Albrecht Altdorfer Details of The Battle of Issus oil painting reproduction


Details of The Battle of Issus
nn05 Heroes replace saints
new4/Albrecht Altdorfer-929649.jpgPainting ID::  30234
 

 

 
   
      

All Albrecht Altdorfer Oil Paintings


 
 
Albrecht Altdorfer Details of The Battle of Issus oil painting reproduction


Details of The Battle of Issus
nn05 The end of the world is nigh
new4/Albrecht Altdorfer-588653.jpgPainting ID::  30235
 

 

 
   
      

Albrecht Altdorfer
  
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
Details of The Battle of Issus
nn05 The end of the world is nigh

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